NEW YORK — When talk turns to whether the Metropolitan Opera should put on old works — like 1709 old — habits die hard. The story has been told for decades that intimate Baroque operas will vanish in ...

After his unforgettable solo recital Wednesday, violinist Augustin Hadelich returned Sunday for Aspen Music Festival’s final concert. Good thing, too. His performance of the Bruch Violin Concerto No.

This production – which partners revivals of their Ottone and Agrippina in the company’s itinerant autumn “Handelfest” – might certainly shock anyone who still thinks of Baroque opera as a string of ...