In “The Mastermind,” filmmaker Kelly Reichardt returns to the world of jazz and incompetent criminals she explored in her very first feature, 1994’s “River of Grass,” while bringing along every lesson ...
The New York Film Festival guide called “The Mastermind” “an anti-thriller.” I can’t think of a better description for writer-director Kelly Reichardt’s latest; it’s a heist movie that has neither ...
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