Art historians and curators offer disparate explanations for Stuart Davis’ absence from the list of American artists who are “household names.” Stuart was ahead of his time, say some. His paintings ...

Purchase this and other timeless New Criterion essays in our hard-copy reprint series. At the same time, however, Davis felt a deep attachment to the subject matter of his art, and did not hesitate to ...

The exhibition that belatedly introduced Van Gogh, Cezanne, Matisse, Rouault, Braque and Picasso to the U.S. public—Manhattan’s Armory Show in 1913 —also inspired a young U.S. artist named Stuart ...

Stuart Davis has a sure claim to a place in the history of American art. As early as 1932, he was hailed as “the ace of American modernists” and there is scarcely a museum in the United States that ...

"Published to accompany the exhibition Swing Landscape : Stuart David and the Modernist Mural, organized by the Sidney and Lois Eskenazi Museum of Art, Indiana University, Bloomington. The exhibition, ...

In both his life and his art, Stuart Davis is as American as bourbon on the rocks. A dumpy, bejowled man who talks with down-to-earth honesty in a good-natured nasal growl, Davis likes television, ...

Stuart Davis, “Lucky Strike” (1921), oil on canvas, 33 1/4 x 18 inches, The Museum of Modern Art, New York; gift of the American Tobacco Company, Inc., 1951 (all ...