For the past six years, the Danish-Icelandic artist Olafur Eliasson has been working with a color chemist to produce paint pigments that correspond to each nanometer of the visible light spectrum.
The distinct vibrant palettes across Wes Anderson’s oeuvre, from “The Royal Tenenbaums” to “Moonrise Kingdom.” The sinister reds used in “Mandy.” The icy blues in “The Dark Knight.” The pink-purple ...
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